Biography
Angelo
Gilardino was born in Vercelli in 1941 where he later studied (guitar,
violoncello and composition) in the local music schools. His concert
career, which lasted from 1958 to 1981, had a great influence on the
development of the guitar as an instrument in the ‘limelight’ in the
twentieth century. Indeed, he gave premiere performances of hundreds of
new compositions dedicated to him by composers from all over the world.
In 1967 Edizioni Musicali Bèrben appointed him to supervise what has
become the most important collection of music for guitar of the
twentieth century and which bears his name.
In 1981 Gilardino retired from concert work to devote his time to
composition, teaching and musicological research.
Since 1982 he has published an extensive collection of his own
compositions: Studi di virtuosità e di trascendenza, which John W.
Duarte hailed as “milestones in the new repertoire of the classical
guitar”, Sonatas, Variations, four concertos for solo guitar and guitar
groups, ten concertos with orchestra and several works of chamber music.
His works are frequently performed in concert halls all over the world,
recorded and included in competitions.
His contribution to teaching began with the Liceo Musicale "G.B. Viotti"
in Vercelli where he taught from 1965 to 1981 followed by an appointment
as professor at the “Antonio Vivaldi” Conservatory in Alessandria from
1981 to 2004. From 1984 to 2003 he held post-graduate courses at the
“Lorenzo Perosi” Accademia Superiore Internazionale di Musica in Biella.
Since 2005, he holds a course for advanced performers at the Music
School “F.A. Vallotti” in Vercelli:
http://www.informagiovanivercelli.it/vallotti10.htm.
He has also held 200 courses, seminars and master classes in various
European countries at the invitation of universities, academies,
conservatories, music associations and festivals. The city of Lagonegro
made him an honorary citizen in 1989 in recognition of his teaching at
the International Guitar Festival. In 1993 the University of Granada
invited him to hold a course in celebration of the 100th anniversary of
Andrés Segovia’s birth.
As a musicologist he has made a considerable contribution to the guitar
repertoire of the first half of the twentieth century with the discovery
and publication of important works which were either unknown or
considered as lost, such as Ottorino Respighi’s Variazioni per chitarra,
the Sonata para guitarra by Antonio José and a large corpus of guitar
works written for Andrés Segovia by Spanish, French and British
composers during the Twenties and the Thirties. Since 2002 he has edited
the publication of these works (30 volumes) in The Andrés Segovia
Archive, published by Edizioni Musicali Bèrben. He also reconstructed
the concerto for guitar and orchestra by the Russian composer Boris
Asafiev, published by Editions Orphée, and he orchestrated the Hommage à
Manuel de Falla by the Polish-French composer Alexandre Tansman, left
unfinished by its author. The rescue of these works and their subsequent
publication has given new substance to the historical repertoire of the
twentieth century.
In 1997 he was appointed as artistic director of the “Andrés Segovia”
Foundation of Linares, Spain, a charge which he left at the end of 2005.
In 1998 he was awarded the “Marengo Music” prize of the Conservatory of
Alessandria. The Italian Guitar Congress awarded him the prize "Golden
Guitar" three times (1997, 1998, 2000), respectively for his
compositions, his teaching and his musicological research. On 2009, he
was an inductee of the “Artistic Achievement Award – Hall of Fame” of
the Guitar Foundation of America.
He has written two books dealing with the principles of guitar technique.
He has published a handbook for the benefit of those composers wishing
to write for the guitar but who are not familiar with the intricacies of
this instrument. He has also published a handbook of guitar history and
a considerable number of essays and articles.
The prizes received by his pupils in international competitions, as well
as his appointments to serve on juries, are countless.

